Pitch development

Film & series pitch decks.

Inside the pitch decks

A child’s scrapbook with a photograph of her father and a handwritten note calling him her superhero.
Slide 02The daughter’s point of view

We meet the father through his daughter’s scrapbook. Her faith in him gives the action on the next page a personal stake.

The action-thriller logline sits above two chairs facing each other across an interrogation table.
Slide 03The logline

The father is in custody. His daughter needs a kidney transplant. Now the reader understands why he would risk an escape.

A grid of ritual objects, including a mercury bead, copper cup, camera and mirror, with the rule each one follows.
Slide 10The rules of the world

A camera flash makes an entity visible. A mercury bead helps Diya detect possession. Giving each object a rule shows how a case can unfold on screen.

A split lighting study contrasts warm domestic interiors with cold light and silhouetted figures.
Slide 17The lighting

Family scenes use warm window light and a handheld camera. When an entity enters, the palette cools and the camera holds still. The director’s choices are visible on one page.

A food photograph beside the proposed format for a culinary travel series through Mediterranean Europe.
Slide 02The series format

The deck sets out the proposed format alongside the food and regions the series would explore.

Two illustrated destination notes pair Sorano in Tuscany with Liguria on the Italian coast.
Slide 04The itinerary

Sorano’s local dishes and Liguria’s coastal cooking give the reader two distinct stops to imagine filming.

A child’s scrapbook can introduce a thriller. Two lighting setups can explain a horror series. We work from your treatment to choose the pages, images and teaser that tell your story to a producer.

Discuss my pitch

Selected pitch decks.

13 covers from our team’s work in film, series and pre-production. Open a cover for a closer look.

Our pitch process

How we build
the pitch.

  1. Read the treatment

    We look for the decision at the heart of the story. Together we agree who will read the pitch, what you want them to do, and which materials the conversation calls for.

  2. Write the deck

    We shape the logline, character arcs and synopsis into a reading order. For a series, we show what drives the next episode. You review the story on the page before we design it.

  3. Find the images

    We establish a visual direction and lay out the slides. If a teaser is part of the brief, we choose a scene that shows what the writing alone can’t convey.

  4. Prepare the handoff

    We read the package in meeting order with you. We check that the deck, poster and moving sample tell the same story, then prepare the editions agreed for your intended readers.

Why Pixel Bakers

Written and built by filmmakers.

Our team’s development experience includes a script selected by NFDC and work with Binger Filmlab in Amsterdam. At Pixel Bakers, our writers, directors, editors and VFX artists decide together which parts of a treatment belong on a slide and which need a shot.

For our original series Apsara, we followed Sibi’s glance from a rooftop storyboard into an AI sequence test. A reader can see how the encounter plays, alongside the treatment and artwork.

See the Apsara package

The package

What will you take to the meeting?

The decks

A short introduction to send first, a full deck for a closer read, and versions tailored to the platforms you have in mind.

The teaser or trailer

An AI sequence can show how your story moves, sounds and feels. We choose the scene and length with you.

The poster

One image that carries the title and tone into a meeting or follow-up. The choice of image follows the treatment.

Original in development / Public sample

The Apsara pitch.

Treatment / Scene sample

A meeting on the roof

Sibi looks up. A celestial woman descends towards him. We stay with his reaction long enough to understand that this encounter has caught him unprepared.

A short adaptation for this sample.

Project deck / World

Devaloka

A floating island, pavilions and waterfalls in Apsara’s celestial world.

A shy college student and a visitor from this world are bound together by an accidental ritual.

The moving sample

The rooftop sequence test lets a reader see how Sibi’s eyeline and Apsara’s arrival cut together.

Sibi and Apsara face each other beside a luminous portal.Apsara

The poster

One encounter carries the image. The distance between Sibi and Apsara gives the reader a first impression of their relationship.

Explore Apsara’s water study ↗

What to bring

Start with a treatment.

We need at least a written treatment to begin. In your first enquiry, describe what you have and who the pitch is for.

Tell us about your project
Your story
A treatment covering the premise, main characters and how the story unfolds. If you already have a script or deck, tell us how far along it is.
Your reader
The intended producer, studio or platform, if known. Include the format, language and what you hope the reader will do next.
Your scope
Which materials you need, any meeting or submission date, and what artwork already exists. We quote once we’ve agreed the scope.

A few useful answers

Before
we begin.

What do I need to get started?

At least a treatment. Tell us the story’s current stage, its intended format and who you want to present it to. We will discuss what needs developing before the materials are created.

What is included in a pitch package?

The ideal package includes a short introduction deck, a full project deck, versions tailored to particular platforms, an AI teaser or trailer, and a poster. The actual combination is agreed for your project.

Why have different versions of the deck?

The introduction deck opens the conversation. The full deck explains the project in more depth. Platform-tailored versions shape the presentation for a particular audience and discussion.

Can you make the film as well?

Yes, we can discuss full AI or hybrid production as a separately defined scope. Preparing a pitch package and producing the film are different stages, and we agree what the project needs next.

Will you approach platforms for me?

Platform outreach is optional and considered case by case. It is discussed separately from the presentation package and does not guarantee that a platform will commission the project.

How much does a pitch package cost?

Packages are quote-based. The material you already have, deck variants, teaser or trailer scope, poster work and agreed review process determine the work involved.

How to pitch to producers Pitching a series to OTT